Back in 2016 I was working in the busy music department of a school in East Anglia, where one of my roles was as the head of low brass provision, teaching French horn, trombone, euphonium, baritone and tuba to pupils from beginner to diploma standard. The school has historical Naval connections, and as such has a strong tradition of bugling at the start and end of each day, and it was a responsibility of mine to ensure the pupils were trained up to perform this duty to the highest possible standard. |
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The school’s ‘buglers’ were invariably made up of the small number of cornet and trumpet players in the school band, and they performed the necessary bugle calls in full Naval uniform on whatever instrument they felt most comfortable with, (yes, even French horn).
Within the first couple of months of my appointment I had spoken to one of my old Royal Marines Band colleagues and he arranged for a number of very old and battered bugles to be sent to me. I made sure each of the school’s buglers was issued with an instrument, but it still wasn’t enough. I wanted every child who started at the school to be issued a bugle and to start to learn about the school’s heritage; one of the youngest casualties of WWI was a Royal Marines bugler and former pupil of our school who had died on HMS Cardiff at the Battle of Heligoland Bight in 1917. |
99 years later, I was stood in my office conveying this story to Chris Fower when I grabbed one of the bugles down from the shelf and said to him: “I wish you guys would make a plastic bugle…”
In hindsight, I had no idea the enormity of the challenge but, if nothing else, WMG is known and admired for its innovative approach to music education.
I maintained a strong relationship with WMG and the pBugle project was mentioned from time to time, and I even got to see a photo of a 3D-printed prototype at one point, but by now I firmly believed it had understandably been put in the too difficult/not financially viable box. During lockdown, however, I received a message which was a photo of a bright red instrument with the word ‘pBugle’ emblazoned along the side!
Then... the moment I had been dreaming of for 4 years – I received my very own pBugle! |
WMG have struck gold with this one. Drawing on the incredible amount of R&D they have carried out in order to perfect the pTrumpet and HyTech, the pBugle is essentially a valve-less Bb trumpet and resembles the American field trumpet in appearance. It has the advantage over a traditional ‘British’ bugle of an ingenious water key, (which, in my opinion, far surpasses the traditional system found on many ‘proper’ instruments), and a tuning slide. Even as a trombonist I found a two-octave range from middle C comfortably achievable on the included 7C mouthpiece; a good compromise on size, depth and rim-width to make it as near to a one-size-fits-all as possible. It blows incredibly easily and has a realistic tone. Moreover, it encapsulates the fun, value-for-money and (virtual) indestructibility of the other members of the p family of instruments.
There are lots of things in the pipeline that will only serve to catapult the pBugle to the forefront of early brass provision, but right now would be an excellent time for you to get your hands on one of these cracking instruments. Used in conjunction with the chromatic pBuzz, you will be quickly, easily and affordably able to teach any youngster the fundamentals of brass playing.
Richard Harvey is the founding owner of Blast Off®️ Brass and a lecturer at the University of Salford.
Richard Harvey MMus BMus(Hons) FRSM AMusTCL was born in Slough in 1973 and began learning the trombone at the age of eleven. Leaving school at sixteen, he joined the Royal Marines Band Service and studied under the renowned orchestral trombonist Albert Thompson. During his time under training Richard won the prestigious Cassel Prize – an annual instrumental competition, and was subsequently awarded a silver medal by the Worshipful Company of Musicians.
In 1994 he was drafted to the band onboard Her Majesty’s Yacht Britannia and spent the next three years travelling extensively around the world, performing to world leaders such as Bill Clinton and Nelson Mandela, as well as Her Majesty The Queen and other members of the Royal Family. Richard began conducting in earnest in 2003, and after completing the year-long Bandmasters’ Course at the Royal Marines School of Music, he enjoyed tenures as the conductor of the Warsash Community Band and Southampton Concert Wind Band – an ensemble consisting of over fifty instrumentalists – and during his time with them he led the band on a very successful tour of Bavaria.
In 2007 Richard was selected for commission, promoted Captain Royal Marines and appointed a Director of Music, and over the next six years he ran three RM bands, took a year’s sabbatical to study for his Master’s degree at the Royal Northern College of Music and served on a six-month operational tour to Afghanistan as the Adjutant of the United Kingdom Medical Group – a challenging yet rewarding experience. In 2012 Richard became the first member of Her Majesty’s Royal Marines to be admitted a Fellow of the Royal Schools of Music before retiring from the Service after a full military career in 2013.
In 2015 Richard was appointed Bandmaster of the prestigious and historic Royal Hospital School in Suffolk; only the sixth incumbent of the role since 1906, and over the next three years was responsible for running the concert band, parade band, brass ensemble, orchestra and big band; the highlight of which included a performance for HM The Queen at Newmarket.
In September 2019 Richard took up his current position as Lecturer in Classical Performance and Conducting at the University of Salford, where his duties include conducting the famous university brass band. In February 2020 Richard led the band to victory at the UniBrass contest, competing against prestigious institutions such as the Royal Northern College of Music. Richard is also the founding owner of Blast Off Brass; a workshop-based initiative to introduce brass playing to primary school pupils using the revolutionary pBuzz instruments, and in September 2020 he was incredibly proud to assume the role of Education Ambassador for Warwick Music Group. Richard said: “I have worked alongside WMG on various projects over the last five years or so, and have always been impressed by their innovative approach to music education. I am a fan of the pBuzz and use it to great effect in my workshops, and I am looking forward to incorporating the new pBugle into my sessions. I am incredibly excited to have been given this new role, and I am keen to get involved in as many projects with them as I can.”